Thursday, August 20, 2009

Defenders of the Earth - A mixed bag of 80s animation

Back in 1986 Defenders of the Earth premiered. It featured three popular characters from the King Features Syndicate comic strips: Flash Gordon, the Phantom and Mandrake the Magician. I was about ten years old when this came on and I remember watching the show, though not consistently (my cartoon mainstays from that time were GI Joe, He-Man and Transformers). Still the show stuck with me over the years and when I had a chance to pick up the entire series for twelve dollars (got to love some of those Amazon deals) I did so. Having only a vague recalection of the shows plot I was none the less looking forward to re-watching the series, keeping in mind that it would suffer from the same pitfalls that all 1980s action/adventure cartoons do. Even with that filter - and my strange desire to like the show - I have to say this series is truly a mixed bag of Good, Bad and horrendously Ugly.

In a nut-shell Defenders of the Earth follows the adventures of Flash Gordon, the Phantom, Mandrake the Magician and Lothar as they battle Ming the Merciless who wants to take over the earth (thus the clever title Defenders of the Earth). Joining our heroes are their teenage children. Flash has a son named Rick Gordon, the Phantom has a daughter Jedda, Lothar has a son LJ (Lothar Junior) and Mandrake has an adopted son Kishin. Kishin is the youngest of the children being in his early teens while the others are in their late teens. As with most 80s cartoons the team also has a "cute" animal sidekick. In this case we get Zuffy an alien creature from the planet Mongo.

Now if you are a child of 80s TV animation - like myself - then you may remember coming home and having new cartoons to watch every afternoon. This was possible because large numbers of episodes were created in short spans of time so that you could have one for each day of the week. At the time this seemed great, you had a new adventure almost every day. Sadly the drawback to this method of entertainment is that the show's crew had to jam through a large number of episodes every week to meet the deadlines. So instead of crafting consistent well thought out stories, these shows churned out material as fast as possible, good or bad. The end result of this is a very inconsistent set of stories featuring a stagnate cast with little to no characterization. Of course this is nothing new when you're talking about action/adventure cartoons from the 80s.

As with many action/adventure cartoons the key to quality lies within the shows writing. Unfortunately due to the situation I described in the previous paragraph DOE (Defenders of the Earth) suffers from a very mixed bag (yes I will be using that phrase a lot in this review) in terms of story. Most of the 65 episodes from Defenders are stand alone episodes. This is typical of the genre from this time period, but DOE does have a couple multi-episode arches (there were a couple 2-part stories and two 5-part stories) that proved to be pretty enjoyable compared to the one and done stories that comprised the rest of the series. As a whole though the writing quality was immensely varied. Some episodes were pretty respectable and I felt that the stories stood the test of time rather well. Then the very next episode would be so unbelievably stupid that even a young child would find it insulting. But what makes these episodes so unwatchable isn't just the silly plots, it's the bad story structure. All too often the writers would fall back on lazy plot devices and ridiculous character decisions to move the plot along. I lost count of the number of times that the heroes simply asked their super computer (Dynak X) why something was happening, or had it calculate a cure for some evil disease and the computer had all the answers. Other times the story relied upon characters simply forgetting something very important or doing something asinine like pushing a button on the Defenders secret weapon (despite being specifically told not to). I could go on all day with more examples, but I think you get the idea.

As it was the standard of the time DOE also has a handful of PSA (Public Service Announcement) episodes. Now as a rule I have never liked PSAs but I try to keep an open mind when watching these old cartoons. That said DOE's PSAs were - once again - a mixed bag. The "don't do drugs" episode was actually really good. It showed how the pressures of teenage life (not just peer pressure but the pressures of responsibility) can lead to problems with drugs. The story even touches on how parents who don't take the time to listen to their children can contribute to this. On the opposite end of the spectrum the episode about teenage drunk driving was egregious. All the teenage drinkers are portrayed as fall down laughing party drunks and the black-and-white message that drinking underage equals death was exceedingly preachy. At no point does the episode handle substance abuse in a realistic fashion or touch on the dangers of alcoholism and drunk driving to anyone who's not underage.

Our next mixed bag involves the shows characters. Flash and the other established heroes each have episodes that delve into their pre-existing mythologies, and this is a good thing. However they only total a half-dozen at best which isn't really a lot considering there are 65 total episodes. I would have loved to have seen more stories involving Flash's early adventures on Mongo, or an episode dedicated to how Mandrake and Lothar first meet, but apparently the producers needed to leave room for story gems like frozen dinosaurs getting thawed out by Ming to destroy mankind (and I thought Jurassic Park had spotty science).

As frustrating as the adults are in this series, it pales in comparison to the disappointment that I felt in regards to their children. The frustration is not with how bad the teen heroes are (well with the exception of Kishin, he was pretty bad) it's actually with how much potential they have and how the writers never fully tap into it. Rick Gordon is a little vanilla but at times the writers would touch on things like his occasional jealousy or the difficulty that comes from being the son of the legendary Flash Gordon. These brief moments of characterization opened worlds of possibilities, but due to the rapid production pace writers never had a chance to do anything with it. Jedda (the Phantoms daughter) is equally - if not more - frustrating. Unlike the shows other characters Jedda is not trying to step out of her fathers shadow, but is actually preparing to step into his shoes (due to the fact that she is next in line to take up the mantle of the Phantom). On the rare occasions that we got to see this side of Jedda develop it was truly a treat. Sadly the show's writers would all too often abuse Jedda by portraying her as a vapid, brainless plot device who does the dumbest things to further the story. LJ was the most underused of all the young heroes. In the few episodes that revolved around him (I can only recall two LJ centric stories) we got to see a brash, arrogant and even chauvinistic youngster who was far too cocky for his own good. These are great character flaws to explore but unfortunately it never happens. Kishin is the weakest of the bunch. Basically he is just the prototypical "left out" character due to his young age. Kind of like Speed Racer's little brother who would stow away in the trunk of his race car, Kishin would ignore orders to stay behind and follow everybody else into danger.

The show also messes up the interpersonal relationships between our younger heroes, specifically in terms of romance. Early in the series it is alluded to that Rick and Jedda have a mutual attraction. However this theme disappears, re-appears, disappears etc. Sometimes they're into each other then at other times they would fall for some stranger they just met, Jedda being the worst offender in this regard. There was at least a half dozen episodes where she would fall for some guy that she had only known for a matter of minutes. Rick was also guilty of this on at least two separate occasions further confusing the budding romance between him and Jedda. Now I don't expect there to be some epic romance here (nor would I want one) but you need to be consistent. Even the 80s cartoon GI Joe understood this. You knew that Fint and Lady Jay were an item and you didn't see them hooking up with other characters whenever it was convenient for the plot.

On the bright side the voice acting in DOE is pretty good. Each voice is distinct and they were mostly recorded as an ensemble allowing for the actors to better play off of one another. The music from the series is also decent. Like most action/adventure shows the in-episode music is recycled throughout the series but it wasn't as noticeable as other shows. I would also like to call out that I absolutely love the series opening theme song. I don't know if it's the catchy lyrics or the electronic keyboard but there is something so 1980s about this that I can't help but feel nostalgic every time I hear it.

Rounding out the production of this series is the animation. DOE was animated in Korea, a very common practice these days but back in 1986 it was still kind of new for American produced cartoons. So how did it come out? Well as you may have guessed it's a ... (wait for it) mixed bag. When the studios "A" crew was working on the show the results were pretty good. Well they were good for a show using minimal animation (minimal animation is the technique where you use fewer in-between drawings than is necessary to fool the human eye into thinking it's seeing movement. Thus the movements of the characters are often jerky and unnatural). When the good crew wasn't working though you got the "B" crew, and these guys were bad. The animation not only suffered from the minimal animation technique but also suffered from off model characters, goofy gesturing and terrible disproportion. The difference between the "A" and "B" crews was so vast that you didn't even have to look hard to tell which you were watching, it was as clear as a Hollywood teenagers complexion. In one exceptionally odd situation there was an early episode in the series where the animators actually used the wrong model sheets! They ended up using early character designs instead of the finalized designs. Lothar is wearing an unusual jungle costume, Jedda's hair is way too long and Ming is actually the wrong color (he supposed to be green and they made him blue). You can view the original model sheets on the DVD special features and see that this is indeed what happened. The fact that the shows producers even allowed such a big oversight to air is shocking.

To sum up Defenders of the Earth is a lot more bad than it is good. Sure the potential was there but even viewed through my rose colored 1980s animation glasses I have to admit this was not the best show from the decade. It's not the worst mind you, but it falls well short of the better shows like Galaxy Rangers, Dungeons and Dragons and GI Joe. On the plus side the DVD set is really nice. The packaging is beautiful and you get some really cool special features. My favorite is that each episode has a couple bullet points calling out interesting facts about the show. They even point out the bad things like poor animation and silly plot holes. If you have never heard of this show you should definitely stay away, but if you watched the series as a youngster and you don't mind a little pain then it might be worth your time to check it out.

Thursday, August 6, 2009

Spectacular Spider-Man? - You better believe it is

When it was announced that a new cartoon titled "The Spectacular Spider-man" would air in 2008 I was skeptical. Over the years there have been a number of Spider-man cartoons, none of them all that memorable. There was the minimally animated cartoon from the 1960s. Later in the early 1980s we saw the extremely tame Spider-man and his Amazing Friends. In the mid 1990s the world was treated to the ambitious - but ultimately disappointing - Spider-man the Animated Series. The success of the first Spider-man movie spawned a strange CG cartoon that aired briefly on MTV. Finally last (and most certainly least) was Spider-man Unlimited (don't get me started on this one). The best of these can be considered nothing more than a mixed bag.

Despite these reservations however, I was liking the direction of Marvels animation and wanted to give the show a chance. I watched the first 4 episodes and felt ... underwhelmed. The show was ok, but the stories just weren't doing a lot for me and the non-costume character designs bugged me (too simple and the giant irises were just creepy). It was at this point that I dropped the series and moved on.

Over the next year I kept hearing positive buzz about the show. Being a firm believer in second chances (after all I tried re-watching the Real Adventures of Jonny Quest) I gave the show another shot. So I picked up with episode five and prepared for the worst. All I can say is that I wish being wrong was always this pleasant. Within three episodes I was hooked. Yes the giant irises still bothered me but I quickly got over it once the series kicked into high gear. This is without a doubt the BEST Spider-man cartoon ever made, and one of the best action/adventure cartoons in quite some time.

The strength of the show stems from its writing. The initial episodes that I found lacking were actually laying the necessary groundwork for the payoffs we would get throughout the season. In other words this is the kind of show that has layers. Things that happen in one episode often have repercussions in later ones. That's not to say that the episodes don't stand well enough on their own - far from it - but there is a larger picture being created and watching the series writers and producers pull it all together is a real treat. They also deserve a lot of credit for having the sense to borrow from the best that the various Spider-man incarnations have to offer. Elements from Stan Lee and Steve Ditko are clearly present, as are influences from John Romita and even Brian Michael Bendis (the writer of Ultimate Spider-man). This may seem like a no brainier but I have to applaud them none the less; especially when you look at the choices that other Spider-man cartoons have made regarding influence.

Characters are unique, flawed and very three dimensional. Our hero Peter is truly clueless when it comes to romance, but through it all he's the kind of tough luck hero we love to root for. Supporting cast characters are also well developed. We feel the disappointment and frustration of Gwen Stacey as she tries to win Peter's heart. Harry Osborn's desperate attempts to make his father proud are heart wrenching. In short these fictional characters feel real, something that can be sorely missing from many action/adventure cartoons.

Spider-man's rouge gallery is admirably represented here as well. You get all the big names like Doctor Octopus, Rhino, Sandman, Mysterio, Kravan, Shocker, Vulture, Lizard, Green Goblin and of course Venom (this covers two seasons worth of regulars). However my favorite antagonist is season one's primary villain, the criminal godfather The Big Man. Normally I would expect the Kingpin to fill this roll but the shows producers went in a different direction, they used a little known Spidey villain named Tombstone. I absolutely adore Tombstone (wow that felt strange to write). The way he makes Peter feel like a kid playing at an adult game is great; and his explanation to Spider-man as to why he is creating super villains is one of my favorite rationals ever (I won't spoil it here, you'll need to watch to find out).

I would like to also hand out an honorable mention to SSM's version of Eddie Brock (Venom). If you have ever read the comics - or watched the atrocious Spider-man 3 - then you should know that Eddie has a less than inspired origin; especially in terms of motivation. What SSM has done is to take the revised Eddie Brock from the Ultimate Spider-man comics and further improve his background so that he becomes more of a willing victim. So instead of being some pissed off reporter who is discredited, Eddie is a life long friend of Peter and a science major at Empire State University (both Eddie and Peters parents died in the same air plane crash). Bound together by tragedy, these two are like brothers, they even refer to one another as bros. Sadly through a series of unfortunate events (the kind that can only happen to Spider-man) Eddie begins to feel betrayed by Peter, and later by the supposed hero Spider-man. The tension builds throughout season one and culminates when Eddie finally bonds with the symbiont (Spider-mans black alien costume) and discovers that the two people he hates most - Peter and Spider-man - are one in the same. Yes Venom is looking for revenge, but it's revenge born out of betrayal. A much strong emotion than previous incarnations of the character.

Though the story and character writing is without a doubt cleaver, the show's dialog is nothing short of brilliant. In case you don't know, Spider-man is supposed to be a smart-ass. This has been a part of the character's identity since his inception back in the 1960s. The problem over the years has been that this quality has never translated well outside the medium of print. Every Spider-man cartoon prior to SSM has failed miserably at providing witty banter, the same can be said for all three Spider-man movies as well. Spectacular Spider-man changes all that. Spidey's one liners in this series are not only funny, they are laugh out loud funny (and I'm not the kind of person who laughs out loud at action/adventure cartoons). Credit must also go to the voice acting of Josh Keaton (the voice actor who portrays Peter and Spider-man). Keaton's timing, inflection and pauses provide maximum effect for these fantastically written lines.

In regards to the production quality of the show, SSM it is definitely a well made series. The animation is fluid and the character models are always consistent with the last couple episodes of season two being particularly impressive. I still would have liked to have seen non-costume character designs that were a little less ... cartoonish (yes I can appreciate how ironic of a statement that is) but it's something that I got over pretty quickly and in the grand scheme of things it's a small complaint. Voice acting is excellent all around (though some voice actors noticeably do multiple characters, most of them one shots) as is the music. Top to bottom this show is about as good as the action/adventure genre gets.

If you have not seen this show then I recommend that you do so. The first season is available as a two-disc collectors set and can be found relatively cheap. Unfortunately the second season is currently only available in the form of four individual volumes. That may not be the best way to watch season two, but I do feel it is worth the effort to pick them up.